A Beautiful Mind Characterization and Dialogue

piece Portfolio The 2001 biopic/drama film A Beautiful Mind, directed by Ron Howard is a prime example of a textbook in which optic and vocal techniques atomic number 18 used to split up the nature of a character. An alpha job for the director of any film is to establish a good example and personality for the protagonist. A Beautiful Mind is no different, and visual and verbal techniques argon used effectively to develop the personality of John Nash.But be spring Ron Howard is dealing with a very complex character in the form of a paranoid schizophrenic mathematician, his personality is forever changing and the differing film techniques fall upon this. As this film is a biopic/drama drawn into hotshot, the viewer follows Nashs life over a number of years. Nash faces many tricky dilemmas and the sort he deals with these situations are conveyed to the audience, using these film techniques. Nash (who is portrayed by Russell Crowe) changes drastically throughout the text, be cause he suffers from paranoid schizophrenia.Director Ron Howard uses the technique of depiction to adapt his personality in different ways. Throughout the text, the viewer is introduced to several imaginary characters, who are in fact delusional figures caused by Nash. The first component of the characterisation technique is when director Ron Howard chooses to introduce these characters. Often injected at great generation of stress for Nash, the delusion characters normally create further dispute betwixt Nash and his real life companions.An grievous stage of the text is just posterior on the climax, where Howard chooses to include and remove Nashs best friend Charles (in the form of the operator). Nash is preparing a bath for his mollycoddle son, while wife Alicia is outside tending to the airstream outside. But because Nash suffers from schizophrenia, he is delusional and believes his friend Charles is watching the baby. For the viewer, all that is witnessed is the baby lying in the bath, crying its lungs out as wet seeps over its head. Nashs personality is demonstrable negatively in this scene. For the viewer, Nash is developed negatively because of these delusions.The delusions put his baby sons life at risk, and also cause a further rift between Nash and his wife Alicia. In anterior scenes, Nashs friend Charles was in fact present to the viewer in the form of the instrument (portrayed by Paul Bettany). The effort to include the actor in these earlier scenes is a bid by the director to create the same realism for Nash, as for the audience. But in later scenes, the removal of Bettany and other cast members changes the viewers perspective of this protagonist. As the actor is no longer present, the viewer is forced to side with Alicia in opinion John Nash is delusional.The viewer here, is easily able to pin point the affects that paranoid schizophrenia has on Nash, and other sufferers of that disorder. Characterisation is important, as in thes e later scene his personality is changed into a very confused man. The confident, charming and sound John Nash of Princeton University is instantly transformed personality due to the including and removing of attain characters. These key characters not only include Charles, but also his niece Marcee and Special Forces protease inhibitor William Pacher. Dialogue is another technique (this time verbal) which is important in evolution the personality of character John Nash.Director Ron Howeard opts to portray Nash as an arrogant and overbearing outsider in the opening scenes of the film. During these stages, dialogue is crucial to develop this personality. at that place must be some numeric formula for how bad that sequester is, Nash statesto a fellow student on his first day at Princeton. While later, he criticises his co-recipient scholarship winner Martin Hansen by announcing There isnt one seminal or innovative idea in both of his pre-prints. These quotes are just two extr acts of dialogue from the early scenes of the text which develop this arrogant and scornful personality.As the text continues and his problems with schizophrenia are developed, the idea of Nash world an outsider is put in place. Another form of dialogue is important in the closing scenes of the text. Nashs personality has transformed remarkably from his younger days. In his elder years, he is back teaching at Princeton. Nash is a much to a greater extent than mellow man in these scenes and dialogue is again used as a technique to develop this personality. After beingness nominated for the Nobel Prize, Nash concludes during his reception speech. Perhaps its good to film a beautiful mind, but its an even greater gift to debunk a beautiful heart.This piece of dialogue is essential in supposeing the more mellow character that Ron Howard chooses to develop. In earlier scens, Nash is arrogant, scornful and pre-occupied to exonerate an innovative maths formula. Combined with his s chizophrenia, this results in Nash being regarded as an outsider. In these times, he is greatly supported by his wife Alicia, as she deals with his psychical disorder also. By Nash saying an even greater gift is to have a beautiful heart, proves that does identify the most important affair in life, which is his family.His eternal relish for Alicia and their son, is more important than solving mathematical formulas, and his dialogue re-iterates this changed persona. No longer is Nash a scornful outsider, and his great love for Alicia (in which he again displays) is seen more favourably by the viewers of the text and develops a nicer personality of Nash. All respect to Russell Crowe, who portrays the life of a paranoid schizophrenic fantastically, its the crucial visual and verbal techniques implemented by the director that implement this. Nashs personality is troubled and he is presented as dangerous during the bath scene with his son.By the removal of actors playing the delusional characters in the film, the viewer is truly able to see how disdurbed Nash is because of his illness. While the dialogue is unsed in the opening an clothing scenes to change Nashs personality from an outsider, to a more open and affectionate man. Nashs personality in the earlier scenes, is plausibly related to schizophrenia in general. People who suffer from the illness are often felt alone and compainionless. Ron Howards ability to truly reflect the persona of a PSD sufferer is important. In later scenes, Nash is drastically changed and no longer scene as an outsider.This transformed personality is the result of sleepless and meaningful dialogue in the test. This would relate to Nash being much softer in the closing scenes towards both his wide and the wider society he lives in. This re-iterates the importance of voice communication techniques and how they can be used to show a characters position amongst a community. Nash who in the beginning is established as an outsider, bec omes a much more balanced man , involved in the Princeton community. Dialogue is just one of these techniques used to develop the character of John Nash effectively.